Tuesday, March 19, 2013

An Older View of Washington State

Clyde Grainger 1909 Topographical Map of Washington State

From research I have gleaned that Grainger did this map while working after college for the Washington State in putting together various projects on the geology, topography, and road materials of the state. Some of this work was collected in the Washington Bulletin of 1911, The Road Materials of Washington, by Henry Landes, assisted by Olaf Stromme and Clyde Grainger.
Soon after this project, Grainger moved on to drafting for architect Harlan Thomas in Seattle.
From Thomas’ biography with Pacific Coast Architecture Database:
https://digital.lib.washington.edu/architect/architects/2255/
“About 1910, Thomas entered into the first of several partnerships which would be the focus of his professional career thereafter:
Thomas, Russell and Rice
Thomas and Grainger
Thomas, Grainger and Thomas (with Clyde Grainger (1887–1958) and his own son, Donald P. Thomas (1898–1970)).
Among the best known of the projects of these partnerships are the Corner Market Building (1911–12) in the Pike Place Market, and (in joint venture with W. Marbury Somervell) several branch libraries in Seattle—Queen Anne, Columbia, and Henry L. Yesler (now Douglass-Truth). The best-known project of the Thomas, Grainger and Thomas partnership is the Art Deco-influenced Harborview Hospital (1929–31).
Pikes place design:
The 3-story Corner Market building (Harlan Thomas & Clyde Grainger 1912; rehabilitation by Karlis Rekevics, 1975) sits on the right as one enters the Market along Pike Street. In its early years it included daystalls, and the businesses facing onto First Avenue were open-fronted. The Three Girls Bakery, the first known business in the Corner Market, is now located in the adjacent Sanitary Market. The basement was home to Patti Summers’ jazz club for over two decades before becoming Can Can in 2006; the building is also home to anarchist bookstore Left Bank Books, as well as numerous other businesses.[139][142][143]
Following his career as an Architect, Grainger served on the Seattle Planning Commission.
In December 1951 the Wedgwood District Community Club appealed to the Seattle City Planning Commission to disapprove applications for the construction of duplex houses at 7518 43rd Ave NE and 4303 NE 77th Street. The three-man committee of the Planning Commission which took the arguments under study, was headed by architect Clyde Grainger. Grainger certainly was familiar with Wedgwood as he, along with architect Harlan Thomas, had designed Albert Balch’s original Wedgwood-development houses in 1940. Clyde Grainger lived in View Ridge one block over from Albert Balch’s own home on 50th Ave NE. By the late 1940’s Harlan Thomas had retired, but Grainger still worked at their architectural office and Grainger continued to contribute to the development of Wedgwood. In the period 1948 to 1951 Grainger’s architectural firm, which included Harlan Thomas’ son Donald Thomas, designed Balch’s office buildings from 8014 to 8050 35th Ave NE.
This piece is available on etsy.com at 9 Miles of Wonder on Etsy
    Upcoming Ephemera Shows Around The U.S.
2/24/2013 -
(CAN)
Toronto Postcard Club 32nd Annual Show
The Japanese Canadian Cultural Centre
6 Garamond Court
Toronto, ON
View Map 10 am – 5 pm Postcard Show Admission: $7.00 ~ TPC Member admission $5.00
Maine Antique Paper Show
March 24, 8:30am to 3pm
Fireside Inn, 81 Riverside Street, Portland, ME
207 749-1717







Thursday, February 28, 2013

Ephemera Society of America Annual Conference & Fair coming in March


The Ephemera Society of America is an international organization of collectors, dealers, scholars, museums, libraries, and everyone interested in the world of paper and printing. We appreciate all aspects of ephemera, and encourage collecting, scholarship and artistry.
The Time & Place
Ephemera 33, our Conference and Fair, to be held March 15-17, at the Hyatt Regency Hotel in Old Greenwich, Connecticut, is THE major event for our passion. We look forward to seeing you all for the weekend. For particulars and easy registration see the panel on the right.

The Conference





This year, a special program on the theme of "Ephemera: Art and Commerce" is intended to inspire and attract people who are enamored by its aesthetics, history, and applications. The program is followed by a two-day fair with 70 leading ephemera dealers

The conference will explore the multifaceted relationship between art and ephemera. Art and ephemera "intersect" at several junctions:


Ephemera may be classified as an art object, collected and studied primarily for its beauty and design rather than for its content.

Ephemera naturally reflects the artistic style (e.g. Victorian, Arts and Crafts, Art Nouveau, Wiener Werkstätte, Art Deco) of its period.

Ephemera relates to art in that we can sometimes trace the historical evolution of images appearing on ephemera (art history).

Ephemera relates to art in that over the course of history it has the transformative power to become art.

Art relates to ephemera in the similar methods that are used to create both.

Art relates to ephemera in that letterpress printers making ephemera had to develop new artistic techniques in order to compete with other methods of creating ephemera including chromolithography and engraving. These printers had to think of new "artistic" ways to use seemingly confining metal type.

Art relates to ephemera in that artists use ephemera to create art.

Perhaps the above points about art and ephemera have caused your creative juices to begin to flow. Fear not, for the conference will also provide an opportunity for participants to create art, using ephemera, under the tutelage of two well-known artisans. The materials for this adventure will be supplied.


The Ephemera Fair

Not to be out shadowed by the conference on Saturday and Sunday, March 16-17, the International Ephemera Fair with 70 select ephemera sellers from California to Maine, and Canada and England, will set up shop in the grand ballroom and promenade of the hotel, exhibiting a wide array of materials ranging from posters to friendship tokens, historical memorabilia to invitations, trade cards and manuscripts. America's finest dealers in antique and vintage ephemera constitute an invaluable resource for collectors, researchers, scholars, curators and librarians to learn about ephemera, acquire ephemera, and make contact with ephemera collectors and dealers in a wide variety of subjects and formats. The Ephemera Fair is an essential link between collectors, dealers, institutions, and academia.

A bit of ephemera for every collecting interest. Entry to the fair is $12 for adults, Youths 12-21, $6.

The expert speakers on March 15, the Fair on March 16 and 17, and the formidable workshops on March 17, are helping to create what we believe is a landmark event for the world of printing and art and ephemera. We hope to see you there, and please share this information so that people can add it to their calendar; Greenwich is a short ride from New York City.

Sunday, February 24, 2013

Winterthur Acquires Renowned Ephemera Collection

WINTERTHUR, Del. – Winterthur has made the largest single gift purchase in its history with the addition of the John and Carolyn Grossman Collection, one of the most comprehensive archives of period graphic ephemera ever to have been assembled.

     On loan to Winterthur since 2008, the Grossman Collection represents approximately 250,000 vividly colored, printed items portraying life in America from 1820 to 1920. Ephemera represents a host of materials designed to circulate in society for only a brief time, including greeting cards, product labels, baseball cards, postcards, scrapbooks, calendars, paper dolls, sheet music, event tickets and more."
    Since printed ephemera typically lasts for such a short time, the Grossmans have performed a heroic task in saving so much of it and making it available to the public through the Winterthur Library," said E. Richard McKinstry, Winterthur library director and Andrew W. Mellon senior librarian. "Images portrayed on ephemera are sometimes the only ones to have survived that document life in America and other countries a century and more ago."

    The collection documents the methods of lithography and chromolithography and all they represented visually from the early 19th through the early 20th centuries. Images portray the customs, attitudes and ideals of Victorian and Edwardian life: innocent children, garden-fresh flowers, romantic couples, holiday traditions, fashionable women, anthropomorphic animals and cigar-smoking gentlemen.

    Among the collection's treasures is the first commercially produced Christmas card, printed in 1843 in England, along with its printer's proof. The Grossmans also saved the extraordinary archive of the George Schlegel Lithographic Co., a 19th-and 20th-century business in New York City that specialized in printing cigar box labels.

Winterthur has showcased the collection in its library exhibitions and in the museum's Yuletide displays. It has been a magnet for students and researchers, especially those interested in Winterthur's Research Fellowship Program. The graphic materials also have been used successfully in Winterthur's licensing and marketing efforts.

     McKinstry said that having the Grossman Collection permanently housed at Winterthur further solidifies the library's status as a center for advanced research.
"Winterthur is deeply grateful to John and Carolyn Grossman for making this remarkable collection available not only to scholars, Winterthur staff and our visitors, but also to thousands of researchers, who can now access these materials through the Winterthur Library online," McKinstry said.

    Dr. Katherine C. Grier, a University of Delaware history professor, said the collection enhances Winterthur's holdings enough to seal its reputation as having "the No. 1 research library in the country for the study of visual culture in America between the 1860s and 1920s." Grier, a former member of Winterthur's Academic Programs Department, said the collection gives Winterthur sufficient depth to serve as an unparalleled resource on topics such as the history of printing technology, the history of graphic design, and the history of advertising and marketing.

     In relation to social and cultural history, the collection can be mined for information on such topics as: evolving ideals of domestic life, the construction of race and ethnicity, the changing nature of gender identity, the history of sexuality, the history of leisure and sport, the history of childhood, and such topics as foodways, popular medicine and dress.

To learn more about Winterthur's Grossman Collection, visit winterthur.org.</p><p>via <a href='http://acn.liveauctioneers.com/index.php/auctions/upcoming-auctions/9247-winterthur-acquires-renowned-ephemera-collection'>Winterthur acquires renowned ephemera collection</a>.</p>

Reposted from Liveauctioneers.com

Friday, February 8, 2013

Digital Ephemera Stewardship


Kristopher F. Nelson from the Library of Congress’s Office of Strategic Initiatives sent out an email this morning about a new program. We should always happy to help out the good folks at the Library of Congress–keepers of our nation’s best ephemera. And, if you want to spread the word across your social networks by linking to this post, I’m sure Kristopher would appreciate it.

The Library of Congress and The Institute of Museum and Library Services are pleased to announce that the call for applications for the inaugural National Digital Stewardship Residency (NDSR) class will begin next week.

The NDSR program will allow ten recent graduates of Master’s degree programs in relevant fields to complete a nine-month residency at various institutions in the Washington, D.C. area. The entire list of projects can currently be found on the NDSR Web site .

Institutions that will be hosting residents include:

Association of Research Librarians

Dumbarton Oaks Research Library

Folger Shakespeare Library

The Library of Congress

Maryland Institute for Technology in the Humanities / University of Maryland Libraries

National Library of Medicine

The National Security Archive

Public Broadcasting Service

Smithsonian Institution Archives

The World Bank
 
Beginning in September 2013, accepted residents will attend an intensive two-week digital stewardship workshop at the Library of Congress. Thereafter, residents will begin their experience at a host institution to work on significant digital stewardship projects. Their projects will allow them to acquire hands-on knowledge and skills involving the collection, selection, management, long-term preservation, and accessibility of digital assets.
 Additional information about NDSR can be found at
www.digitalpreservation.gov/ndsr.

NSDR has great resources for individuals as well on preserving and maintiaining your digital collections.

Application instructions will be available next week.

Reblogged from from ephemera by martyweil

Thursday, January 31, 2013

Wednesday, January 30, 2013

Saturday, January 26, 2013

The Philadelphia Vintage Book & Ephemera Fair!

2/3: The Philadelphia Vintage Book & Ephemera Fair! (The Sheraton Philadelphia Downtown Hotel)

 

PHILADELPHIA, PA, FEBRUARY 3, 2013 -- Flamingo Eventz, LLC is pleased to announce that after a number of years, Philadelphia will once again host a fine Vintage Book & Ephemera Fair. It will be held on Sunday February 3, and presents some of the finest vintage Book & Ephemera Dealers in America & Canada.

Yes, this is Super Bowl Sunday - this is a great way to start the day of festivities and you'll be home in plenty of time for the kick-off!

Being held at the Sheraton Philadelphia Downtown Hotel in the heart of Philadelphia, PA, this is an important show for Pennsylvania and all mid-Atlantic & Northeast area book lovers. This is the only major Vintage Book & Ephemera event held in the greater Philadelphia region and offers an unparalleled opportunity for Book & Ephemera lovers. Members of ABAA, LIABDA, MARIAB, MABA, ILAB, and other prominent exhibitors will gather here to present an outstanding array of fine, rare & unusual old books, along with postcards, poetry, prose, political, social, historical, children's series, maps, autographs, prints, posters, World's Fair, ephemera, and much, much more. Collectors, scholars, students, dealers, and decorators will flock to this wonderful event for the best selection, wonderful finds, and rare treasures found only here.

Date/Hours: Sunday February 3, 2013, 10am-4pm
Location: The Sheraton Philadelphia Downtown Hotel, 201 North 17th Street, Philadelphia, PA 19103.
Admission: Adults: $6, Young Collectors 12-21: $3, under 12: free w/paid Adult.
Appraisals: By John Bruno, star of Market Warriors on PBS, and guest appraisers at $5/Item.
Directions: Right off I-76 & I-676, corner Race Street. Check our website: FlamingoEventz.com for easily downloaded maps.
Miscellaneous: Food & refreshment available at the Hotel restaurant during show hours. Parking: On-site and within short walking distance.
Information: For Dealer or Customer information, please call or click 603.509.2639 / FlamingoEventz@metrocast.net

Background: Flamingo Eventz, LLC presents the finest, most innovative, successful, and respected Book & Ephemera Fairs in the Northeast. The Brunos have over 25 years experience as antique dealers and over 18 years experience as professional show promoters. They are members of the Antiques & Collectibles National Association (ACNA), and John Bruno is an antiques appraiser and television personality who can be seen on the new series MARKET WARRIORS on PBS. MARKET WARRIORS, a new antiques competition series from the producers of ANTIQUES ROADSHOW, airs on PBS Monday nights at 9pm/8c.

Editors: For further information, photographs, descriptions, or dealer biographies, please contact: TINA or JOHN BRUNO at FLAMINGO EVENTZ, LLC.
Phone: 603.509.2639 / E-Mail: FlamingoEventz@metrocast.net / Web: FlamingoEventz.com.
  • Location: The Sheraton Philadelphia Downtown Hotel